Parham Ghalamdar is an Iranian-born artist based in Manchester, working across painting, ceramics, moving image, installation and writing. Drawing on speculative archaeology, philosophy and cybernetics, his practice examines how images and objects are shaped by war, exile, technology and ecological collapse.
His latest solo exhibition, Aerotheology (2026), was presented at Leeds Arts University. His experimental film The Sight Is a Wound (2025) has received multiple awards and screened at over 50 international festivals and exhibitions. His work is held in the UK Government Art Collection and other public collections.
Ghalamdar is a 2026/27 Folger Shakespeare Library Artistic Research Fellow, Factory International Fellow and New Contemporaries selected artist. His forthcoming book Persophobia will be published by Posthuman Press in 2027.
Aerotheology
Deep Objects, Item Literature, and the Refusal to Image
Kahrizak, 720x480
THE HYPERSTITIONAL DETERRENCE
TURNER 250 CONFERENCE
SIAHKAL 2.0: An A.I. resurrected discourse on Marxism & Islam
THE SIGHT IS A WOUND
Q&A With Parham Ghalamdar
Saffron, Silence, and the Coming Ruin: A Review of Omid Asadi’s Unfinished Sentences
Speculative Broadcast: Decolonising Archaeologies of Technology?
Signal After Myth
Reza Negarestani’s Cyclonopedia, Persian Edition
🥤 (Fizzy Brown Drink) / TO SHIFT A STONE
TRUTH PERFORMED / TRUTH DISRUPTED
Good Eye Projects
Ghosts in the Feedback Loop
ARTIST STUDIO AS A SITE OF REFUSAL
SNW_DSRT
Angels Don’t Die In Multiplayer